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The challenge with sequential editorial pieces is that the image is a bit fractured and cannot be as bold as one single image.
After a first round of sketches, we tried to increase the graphic impact by using one large panel and a few smaller ones.
As the project progressed, we rearranged the panels several times, till everybody was content with the flow of the story.
For the interior, we did a simple comic-strip of 3 images. For the cover, we used one large, loud image and and four smaller panels.
Thanks again to AD Minh Uong and the New York Times!
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